Develop; processing in the digital darkroom

 

A short how I do it film this weekend. 

I am, at heart, a monochrome photographer.  It is how I learnt the game with a home made enlarger in a spare room.  It is still often how I visualise an image.  Nowadays of course, with digital cameras we make our images in RGB and the Mac has become our darkroom.  Though I still own, and use a clutch of film cameras, digital is my workhorse.

So I thought, a “How Si works” film would be fun to do. 

The original photo was taken in Northumberland some years ago on an Olympus E3, with a 105mm lens.  As usual, it was shot raw.  I’ve processed it with my preferred editor, the photographer focused Capture One Pro.  I would still much rather have used a Leica or Hasselblad, HP5 and a DeVere504 with Forte Polywarmtone though.  Bach, Beethoven or Abba on the CD player too.

Oh, for the record.  That building storm was a brute, powerful enough to batter the boats moored in Seahouses harbour.

 

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First Summit

What’s the first mountain I climbed? 

That depends.  What do you mean by climb, mountain and first?  But that’s a philosophical path I don’t choose to tread here; for there lay sleeping Jabberwocks (in this gentle memoir they will remain untickled).  So for this happy, as true as long ago childhood memory story, we’ll stick with a simple physical mountain (a lump of rock, mud, heather etc. over 610m altitude) on the Isle Of Man. 

Away we go then, to August 1970 (relax, time travel works in our imagination), at Laxey tram station. Specifically the queue for the Snaefell Mountain Railway (actually an electric tram, but this is the Isle Of Man, so railway it is).  And in the queue, with his beloved dad, there’s a very excited small boy; me.  Always fidgety, this day I’m close to bursting.  I am though on best behaviour (think Pooh holding Tiggerish energy in check) standing politely and outwardly calm. 

This day, I’m going on an expotition (I’d discovered the Pooh Bear books, to this day I remain convinced the word is perfectly correct).  I’m going to climb a mountain.  Not just any mountain though, Snaefell, the highest mountain (yes, I know it’s technically “the only mountain”; shush, I’m seven here) on the island.  I’ve been up there before with dad, but today’s special.  Today if I’m judged sensible, I’m going to climb the mountain on my own.  For a seven year old, an awfully big expotition. There are well worn boots on my feet, blue woollen socks tucked neatly into grey breeches. There’s a thoughtfully packed bag on my my back. A bag replete with compass, map, aran sweater, honey butties and something for the journey.  That something for the journey is my well thumbed copy of The House At Pooh Corner (read on the tram from Douglas, ch6 “In Which Pooh Invents a New Game and Eeyore Joins In” probably). 

The  Snaefell tram rattles in, the passengers shuffle off, we scuttle on. I grab a window seat, dad beside me and the tram rattles out.  For the next half hour the book remains in my bag, unread. Instead I try to read the mountain landscape rolling by as we’re carried over 500m to the misty summit station.  The tram rattles in, the passengers shuffle off. Most, realising it’s a little chilly here at around 600m, scuttle away into the cafe and gift shop. 

Driver, guard, dad, a hopeful sheep and I are left in the wind shredded mist. 

“You walking to the top with your dad?”

“No, I’m going on my own!”

“Oh; smashing.  Well, have fun and we’ll see you on the next tram down.”

It’s all tremendously, excitingly real now.  Driver and guard are suitably impressed (as this is the Isle Of Man neither think my plan odd) and dad’s happy.  The sheep has lost interest and wandered off.  A final show of the route and I’m away.  Off on my expotition, I’m climbing a mountain, on my own.  Carefully navigating, treading the familiar but now fresh path, one walked by thousands of feet before mine.  A wide, clear path (though one people miss every year) winding gently around to the summit. I’m concentrating so carefully, stopped occasionally by stupendous views over to Scotland (never once of course spotting dad, in the mist, keeping careful watch) then vigorously striding out once more for the summit. 

I can still, near half a century on, feel that slightly surprised calm euphoria (I’ve never felt one conquers a mountain or climb or descent) as I touched the trig point.  I’d done it.  My first solo summit.  There were tourists, the radio station and a very troublesome sheep. To me it felt, there and then, the very wildest place on earth.  Settling in a leeward hollow a celebratory honey butty and drink of water were lingeringly taken.  As the descent was to come one butty was carefully saved for later.  Lunch done, bag repacked, time for the second part of this expotition.  Getting safely back down again. 

Now, I’d been walking most of my life.  This meant dad and I had a habit of descending, let us say, at pace (ascending too, where we could move quickly, we did).  So away I went.  A skinny, clumsy kid in boots and rucksack galloping past bemused tourists, casting occasional sincere apologies to the wind’s mercy. 

Of course dad was sat waiting on the station bench as agreed.  He’d waited there patiently since I set off (yeah, of course he did, I’m a dad now).  Hugs and congratulations were exchanged, then hot milk and expotition report in the cafe.  Drinks and debrief done we wandered out for the next tram down. The friendly driver and guard waiting there as promised;

“You do it then?”

“Yeah!”

“Well done young man.” 

Smiling, they shook my hand in congratulation.  I suddenly felt very grown up (sincerely given praise I still feel is important for children). 

Somehow the tram whisked us back down to Laxey in the blink of an eye (yes, I know, the seven year old me fell asleep) to chicken and chips in the corner cafe. 

So, in a pedantically technical sense not my first mountain.  But in a truly practical sense (one that matters to me), very much my first mountain.  

I’ve been in so many mountains so many times since, in so many ways.  With my misfunctional mind, the best times are like that first time.  Willingly alone, moving light and fast through the fells, my joyous, curious internal child grinning, a book and a honey butty in my bag.  

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Petrichor

 

 

Petrichor; derived from Greek petra, “stone” &  īchōr, “divine fluid”: that uniquely fresh, rich aroma of rain falling upon parched earth after days then weeks of hot dry weather.

Early summer, the driest on our modern record.  The birchwood copse, moist cool haven where I run, is parching now.  A grass bleaching, footpath firing, tree wilting parching.

But this evening, just for a little while, the parching eased.  The long cloudbare sky became cloudspeckled.  Clouds grew, darkened, grew rain heavy, some few precursor raindrops speckled the ground.  The heat fell away from sweltering toward merely too warm, then the true rain came down.  A sweet soft rain.  A rain warm and rejuvenating, joyous to experience.  As rain fell petrichor rose, that blessed aroma of hot, dry, rain slaked earth and stone.  A beloved scent of summer calling back far memories of gilden* days amongst forests and fells from childhood on to now. 

And then near quick as it came, the rain quits.  The heat climbs back from merely too warm toward sweltering, the rain marks evaporate.  Trees are still wilted, footpaths are still fired, grasses are still bleached. 

But yet the air is no longer parched dry.  It bears a lingering humidity, a memory of water.  In a hawthorn a pigeon preens dampened feathers, beadlets of water bejewel the orchids.  The sky, for weeks a cloudbare blue remains cloudspeckled.

A promise that maybe, just maybe, there will be rain once more. 

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*gilden: Middle English gilden; gelden; gulden from the Old English gylden. An equivalent to gold(+/-en). Yes, I like archaic language. And?

An inner silence: The portraits of Henri Cartier-Bresson

Some of the books from a dyslexic photographer’s bookshelf. Actually, all these books are mine, and all are well read. [sb009864]

Now, I’ll admit to a little bias here. Henri Cartier-Bresson remains an inspiration to me. He and many of his contemporaries like Lee Miller, Robert Doisneau, Bill Brandt and Eve Arnold combined great technique, visual awareness and a deep sense of our shared humanity. And they allowed the stories they told to speak.

Notwithstanding my personal bias, this is a sumptuous colection of portraits; the first to be drawn entirely from the Fondation Henri Cartier-Bresson. The ferocious aquiline face of Samuel Beckett glaring off leftward challenging you, open the book, see what he cares.

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To a possible reader…

Lone tree on a lake district fell skyline, monochrome

Beneath a building summer storm a lone tree; high on a lake district fellside.

A note to a possible reader. On prose, specifically mine, often the purple variety. 

I make no apology, for none is needed. I love words. I cherish them. I love their variety. I love that old words are refound and ofttimes repurposed, that new words are founded. I cherish the practical magics words create. 

Once I found passage through the wrecking reef shoals of ADHD and dyslexia, the wondrous richness of words became my refuge. When kept away from moorflank or riverbank, whether by school or by overbearing mother, I took sanctuary in books, into a wordworld of the imagination. The library, with the aid of an understanding father and a librarian who turned a knowing eye, and with that eye an occasional suggestion, that library became my portal; Narnia’s wardrobe in Portland stone and oak and brass and compassion. 

And so I grew up in company with, amongst others; Durrell, first Gerry later Larry; with Rebufatt and Whymper; Eyre and the Brontes; Pope and Dryden and Montaigne. Modern times they’re joined, again amongst others, by Macfarlane, Shepherd, Baker, Deakin, Calvino, Pratchett and Gaiman. 

Now, I do consider plain language has it’s value, in court reports, medical records, instruction books and suchlike. 

However, when recalling worlds to mind, or growing worlds in the mind of another. No, not here. When writing the experience of long fell day’s, for the flickering silvered nacre braids of a dipper bobbed stream: then the wondrous richness of words is where I play. 

There you are dear reader, if you like occasionally florid nature and mountain writing, for to my mind the two are inseparable…

Welcome. 

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Judgement Day or, why I said this film wins or, why did I say I’d judge this comp?

My friends at Accelerate running shop Have been running a video competition as part of their Shake Up. I was rather pleased, and a little unnerved, to be asked to judge the entries.

Here’s the winning entry, from Sheffield based artists Callum and Mikk Murray.

I’ll openly declare here, I know and like Mikk. This film won because of the three entries we received, I feel it best fills the competition brief. The film tells a coherent story, a story about what a part of our running world feels like.

They’ve shown the varied running environment we enjoy, the film tells a story, and it features the shop itself. For those who don’t know the area, Mikk starts off running high on the moors at Burbage North Bridge. This is, remarkably, still in Sheffield and the valley is maintained as one of the city’s parks. The film created journey, from those wild and windy moors through our still thriving industrial city. Callum and Mikk’s film, through this journey, showcases the superb variety of trail running we have in our home city, from fell through country to urban. And it finishes at the shop, where the usual greeting is being passed; a mug of your favourite drink.

The soundtrack, Flow, from Oren Dji fits well without being obtrusive. There’s enough volume to hear it clearly, the mood of the song fits well with the quiet nature of the film. A personal note here, there’s more to (adventure) film soundtracking than rad thumpin, bangin rock, rap and house choons. Be genuinely radical, experiment, explore the worlds of sound out there.

In short, I like the film. It’s one I’d be happy to have made.

Callum and Mikk win a Suunto watch. Well done chaps.
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Escape: an urban runner’s daydream

Escape. A new short running film.

For most of us northern Europeans the city is our natural environment. But, being runners, we can daydream over a morning espresso, maybe a piece of lemon cake too. This is one such daydream.

Despite our deserved reputation for heavy industry the city is woven through with, hemmed around with, ribbons of woodland and river and field. You can run from the horrors of Meadowhall shopping centre almost into the city centre along tree lined canal or river barely touching tarmac, although the remains of that heavy industry surround you most of the way.

To be fair, many cities have such hidden areas, get your shoes on and go explore your local patches. Enjoy your own escape

 

 

 

 

Part of my Running Shorts series. The film was shot in and around my home city of Sheffield; the outdoor city. It’s shot on an iPhone6, sometimes with Olloclip lenses, edited in iMovie. The main soundtrack is Country Boy, composed by Ben Tissot, bensound.com

Running Shorts; a film intro clip

I’m a big fan of Salomon Running’s films, made by The African Attachment. The gorgeous, impressionistic “The Forest” is really what nudged me into finally trying to make small films myself. Being professionals, they have a common introduction sequence. So I decided it might be an idea if I did that too.

Off to Ecclesall Woods I went, iPhone in bag and shot a few clips. This one I’m happy with. Simple, a long trail off into white for later editing in and a slightly silly soundtrack. I was, I freely admit very lucky with the light, a glorious English spring day fresh minted after a night of rain.

One other thing. The intro also has a pun, feeble even by my standards. As I grew up on BBC Radio4 and it’s ilk I not actually going to apologise for that.

Be well all,

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